Montreal, Quebec CA. | Your beauty speaks for itself | redux

Hi All

This is a republish of a post from a few years back but you might enjoy it. Montreal is a wonderful place to visit. I prefer the spring or summer but you hardy folks ….

take care

leo


Recently I traveled from Boston to Montreal for a few days. It’s about a five hour drive by car. I’ve been there a few times now and I’ve always enjoyed myself. The people are friendly, the food is great and there’s much to do.  It reminds me of Paris but smaller and a bit more modern. I’m not an expert on either place though.

It was raining over much of the trip, which is very unusual but I still managed to get some lovely images. I also learned something very valuable concerning picture taking in the rain. Unless you have a pro water-sealed camera that you wish to lug around in the rain, carry a small quality camera that you can stick in a coat pocket.

All these images have been minimally processed and all sized down. lb
Bonjour Montreal!

Some views of downtown

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IMG_0061_LBradyFrom the Hotel

IMG_0067_LBradyOne of the many beautiful little parks downtown

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IMG_0075_LBradyMany modern but elegant buildings

A dog show at the Quartier Des Spectacles

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Place des Arts

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Old Montreal

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A view of Chinatown

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A view of McGill University

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All rights reserved © 2018 Leo F. Brady

Exposure Bracketing

Exposure bracketing is a simple technique professional photographers use to ensure they properly expose their pictures, especially in challenging lighting situations. When you expose for a scene, your camera’s light meter will select an aperture / shutter speed combination that it believes will give a properly exposed picture. Exposure bracketing means that you take two more pictures: one slightly under-exposed (usually by dialing in a negative exposure compensation, say -1/3EV), and the second one slightly over-exposed (usually by dialing in a positive exposure compensation, say +1/3EV), again according to your camera’s light meter.

For my tests, I chose a familiar subject, Mother Brook and added some shots of the dam at Stone Mill.

https://realrealityproductions.wordpress.com/2013/03/05/stone-mill-mother-brook-dedham-ma/

I chose an auto exposure bracketing setting of 2/3, which produces an image of normal(0)EV, +2/3(+.7)EV and -2/3(-.7) EV. All these images are jpgs and have been shot large. I also shoot raw.  I’m looking for a certain balance of grays and a deeper black from my black and white images.  lb

Note: One thing that I never really thought about, with respect to auto exposure bracketing is how the images are shot by the camera (i.e. were three separates images with three different exposure settings produced or did the camera use the same image and somehow produce different exposure settings with the data from the one image, three times?). The camera produces three separate images which are three different moments in time. The image differences are indistinguishable in a static scene but not in a scene with movement. You can see this with the snowflakes in the second series of shots.

Example #1

It was a clear, sunny day. This set of three images below is a good example of what you can expect in good light from the Xpro1 when bracketing is set as mentioned above.

2013_0320ADFuji XPro1 18mm(27mm equiv.) f/13 @ 1/420s 0EV

2013_0320AEFuji XPro1 18mm(27mm equiv.) f/10 @ 1/420s +0.7EV

2013_0320AFFuji XPro1 18mm(27mm equiv.) f/16 @ 1/420s -0.7EV

Example #2

It was a gray, snowy day for this set of three images.

2013_0307BKFuji XPro1 18mm(27mm equiv.) 0EV

2013_0307BLFuji XPro1 18mm(27mm equiv.) +.7EV

2013_0307BMFuji XPro1 18mm(27mm equiv.) -.7EV

More images to come from the mill complex and dam.

 

All rights reserved © 2018 Leo F. Brady

Boston Backyard Wildlife | Part 2

As I said, in Part I, something was eating my garden. ;-)

I’m happy to share my land with my animal buddies but I can’t let them destroy my property.

Well, now I had a problem, yet a perfect opportunity for a photo/film project to identify the suspects and capture some backyard wildlife photo/film clips.

And just as important, to learn how to protect my garden and shed. There is a volume of excellent non-lethal solutions to deal with any animal, published on the Net. In my case, it’s been a trial and error process. What I’ve learned is that nothing is 100% effective but setting up deterrents seems to work best.

To protect the garden, I erected a 7 foot deer fence. That should be sufficient, if not a bit of overkill. I could add a scarecrow. – we’ll see… ;-)

Protecting the shed would be a bit more difficult. I first had to find any openings that an animal could use, to move in and out from, under the shed. Once that was done, I blocked all but one opening and laid some hay in it. This would help me ascertain if an animal was still living there. Once I saw that the hay was not disturbed, I blocked that remaining opening. I left a radio playing in the shed, setup a couple of solar lights and spread some red pepper around the shed area. The goal was to make the site uncomfortable.
Eventually, I will have to excavate around the shed and install chickenwire. Here’s a link that details how to do that, for those interested. http://guelph.ca/living/pets-and-animals/city-wildlife/5376-2/

Here are some more of the culprits, roaming around my neighborhood and yard. ;-)

click on the images for a closer view…

The Wild Rabbit

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The Bluejay

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The Cardinal

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The Wild Turkey
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Creative Commons License

 

Boston Backyard Wildlife | Part 1

Something was eating my garden. ;-)

I live on the outskirts, but within the city of Boston. The house lots here are usually around 5000 square feet. But like many cities, Boston has many parks and green areas. Even when not paying much attention, I’ve spotted all the typical, city wildlife in my backyard – a large variety of birds, squirrels, chipmunks and rabbits. On rare occasions, I’ve even seen raccoons, groundhogs, a fox and wild turkey. I’m a big fan of live and let live. I’m happy to share my land with my animal buddies but I can’t let my buddies destroy my property.

Well, now I have a problem, yet a perfect opportunity for a photo/film project to identify the suspects and capture some backyard wildlife photo/film clips.

On a side note, one of the biggest challenges I’ve faced as a filmmaker when choosing a documentary or other long running film project is staying motivated to its end. With a small team, the pre, production and post of these projects can go on for quite some time. So, for all you aspiring doc and feature film filmmakers, chose a project you know and love.

These days, I’ve been focusing more of my time on experimental shorts, film clips and photo projects, just like this, capturing a variety of clips and photos of a variety of subjects and locations.

With that in mind, I’ve built a kit that aids me in those goals; More details on that, in another post.

For this project, I’d need a long lens and a small, remotely controlled camera. I chose a 70-300mm lens on a Canon camera and a GoPro. The plan was to leave the camera and 300mm lens ready and with a little luck, I’d capture one or more of the culprits. In addition, I’d leave the GoPro recording all day, in another active part of the yard, and review the images at night.

Here’s what I’ve captured on film, eh – digital media. ;-)

click on the images for a closer view…

The Cardinal is a beautiful bird. Unlike the squawking Bluejay, which seems very skittish, moves quickly and is difficult to film/photograph, the urban Cardinal seems rather interested in humans and isn’t easily frightened. The male is the most colorful of the bird. I believe the third photo, below, that I photographed, last winter, is a female. I captured these shots with a 70-300mm lens, handheld. Stabilization on this lens is amazing. Without it, I’d need a tripod and probably wouldn’t have go this shot.

Cardinal2_realreality productions_2016_03_29

Cardinal_realreality productions_2016_03_29

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The Squirrel is prolific in this city. I’ve seen some of the most amazing, climbing, jumping and hi-wire acts from these daredevils. They have adapted to the city and seem rather disinterested in humans but they’ll run like hell if you come up on them, too quickly. Don’t let these guys into you house or structures. They can do some serious damage. I photographed these shots with the GoPro which is another amazing camera for candid capture.

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The Cat – I don’t own a cat but there are plenty in the neighborhood. Here’s one on the hunt. Obviously, cats aren’t eating my garden. This, again, was shot with the GoPro.

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The Groundhog – Wow, I wasn’t expecting to see a groundhog, in the open, in daylight, needless to say a pair. Groundhogs will hide when they hear, see, or smell an observer. Like the squirrel, groundhogs can be very destructive if they build their burrow under a structure. I captured these shots with a 70-300mm lens, handheld.

GroundHogs1_realreality productions_2016_05_01

GroundHogs2_realreality productions_2016_05_01

The Chipmunk – Lively and speedy, the chipmunk is the smallest of the squirrel family. When you see a blur speed through your yard towards the woodpile, it’s probably a chipmunk. It’s difficult to get a candid photo of the chipmunk but if your patient and lucky… I captured this shot with a 70-300mm lens, handheld.

Chipmunk_realreality productions_2016_05_24

Creative Commons License

Pamet Harbor, Truro MA. USA | L Brady

I’ve been working on a short film, First Encounter, about the Mayflower landing, in 1620. It will document the first month after the Pilgrims arrived; from their landing off the coast of Provincetown to the founding of the settlement in Plymouth. If you’re interested in the topic, pick up a copy of Nathaniel Philbrick’s book, Mayflower.

I’ve been traveling lower Cape Cod, scouting film locations. Here’s a few shots of Pamet Harbor, named Cold Harbor by the Pilgrims. It resides at the end of the Pamet River. The Pilgrims deemed it too shallow for a permanent settlement.

These shots were taken with a Canon 5D Mk II and Canon 70-300mm f4-f5.6L IS USM.
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Getting your ducks in a row at Lake Winnipesaukee, Weirs Beach, NH. USA | L Brady

Screen Shot
click for a larger view

Lake Winnipesaukee, N.H. is a beautiful natural location about 2 hours North of Boston, Massachusetts.

New Hampshire is replete with fresh water lakes. Lake Winnipesaukee is the largest. The lake is 9 1/2 miles wide and 28 miles long.

Camping, hiking, swimming, boating are only a few of the things you can do in this lovely location.

Find out more at the following links:
http://www.lake-winnipesaukee-travel-guide.com/
http://www.winnipesaukee.com

 

I traveled to the Lake in November 2104. It was a cloudy day but I took a few interesting shots. I usually only do minor manipulation to my photos but, in this case, I used Photoshop to manipulate the shadows and highlights. I find the images a bit painting – like but …

I’m using the Canon 5D mkII now and like the results it produces, very much.  But it still doesn’t beat film. ;-)

 

Get Your Ducks in a Row_LBRADY
Ducks in a row on Weirs Beach, N.H. – Canon 5D MKII at 20mm, f8 at 1/250 at ISO 100

 

Gaza_NH_LBRADY
Gaza, N.H. – Canon 5D MKII at 20mm, f6.3 at 1/160 at ISO 100

 

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View East from Weirs Beach N.H. – Canon 5D MKII at 20mm, f8 at 1/250 at ISO 100

 

Creative Commons License

All work on this site by Leo Brady  is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.
Permissions beyond the scope of this license may be available at realreality productions

Exposure Bracketing | return to Mother Brook | Leo Brady

Exposure bracketing is a simple technique professional photographers use to ensure they properly expose their pictures, especially in challenging lighting situations. When you expose for a scene, your camera’s light meter will select an aperture / shutter speed combination that it believes will give a properly exposed picture. Exposure bracketing means that you take two more pictures: one slightly under-exposed (usually by dialing in a negative exposure compensation, say -1/3EV), and the second one slightly over-exposed (usually by dialing in a positive exposure compensation, say +1/3EV), again according to your camera’s light meter.More at http://www.photoxels.com/tutorial_exposureBracketing.html

The above link is an excellent tutorial for those interested in learning more about and exploring the technique further.

For my tests, I chose a familiar subject, Mother Brook and added some shots of the dam at Stone Mill. https://realrealityproductions.wordpress.com/2013/03/05/stone-mill-mother-brook-dedham-ma/
I chose an auto exposure bracketing setting of 2/3, which produces an image of normal(0)EV, +2/3(+.7)EV and -2/3(-.7) EV. All these images are jpgs and have been shot large. I also shoot raw.  I’m looking for a certain balance of grays and a deeper black from my black and white images.  lb

Note: One thing that I never really thought about, with respect to auto exposure bracketing is how the images are shot by the camera (i.e. were three separates images with three different exposure settings produced or did the camera use the same image and somehow produce different exposure settings with the data from the one image, three times?). The camera produces three separate images which are three different moments in time. The image differences are indistinguishable in a static scene but not in a scene with movement. You can see this with the snowflakes in the second series of shots.

Example #1

It was a clear, sunny day. This set of three images below is a good example of what you can expect in good light from the Xpro1 when bracketing is set as mentioned above.

2013_0320ADFuji XPro1 18mm(27mm equiv.) f/13 @ 1/420s 0EV

2013_0320AEFuji XPro1 18mm(27mm equiv.) f/10 @ 1/420s +0.7EV

2013_0320AFFuji XPro1 18mm(27mm equiv.) f/16 @ 1/420s -0.7EV

Example #2

It was a gray, snowy day for this set of three images.

2013_0307BKFuji XPro1 18mm(27mm equiv.) 0EV

2013_0307BLFuji XPro1 18mm(27mm equiv.) +.7EV

2013_0307BMFuji XPro1 18mm(27mm equiv.) -.7EV

More images to come from the mill complex and dam.